Tips You Can Use To Overcome Stage Fright

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As one of the most common phobias, stage fright afflicts many people. It is estimated that every 3 out of 4 people suffer from it. It is easier to overcome stage fright when you keep that fact in mind. Also keep in mind that a little bit of nervousness and anticipation is normal before taking the spotlight.

A well used method to overcome stage fright would be to imagine the audience naked. This visualization permits a couple of things to happen: First, the novelty of picturing a roomful of nude people distracts you from being afraid, and second, thinking of the audience as naked puts them in a lower social station. Furthermore if they disapproved of your performance, their opinions would not matter. They are not with it enough to wear clothing.

The next tip to overcome stage fright would be to become at ease in the location that you will be making the presentation at. Get there ahead of time. Move around the room and stand in the spot where you will be situated. Look around; find a comfort spot to take a look at in case you will need to regain your composure for several seconds throughout the presentation.

And finally, one of the best ideas to overcome stage fright is to concentrate on your expertise. Once you recognize that you might be talking on a subject that you’re most comfortable with, the feeling of anxiety will soon dissipate.

Try not be distracted or rushed on the day of your performance. As much as you can, you ought to be relaxed and calm. This may be completed by picturing what the whole performance would be like all the way through, from beginning to end.

Should you need to face an audience of any size, familiarization is the key to calming those frayed nerves. It begins with the topic that you’re going to be talking on. Regardless of whether or not you’re making an official presentation or giving the toast at your sister’s wedding, you’ve been asked to do so simply because you’re considered capable of it.

In numerous cases the two factors of performance outcome and possible consequences may be evaluated realistically and minimized in a way that the performer has the capacity to overcome stage fright, and go on stage. In other instances one or more cognitive distortions may possibly amplify the performer’s perceptions, and not enable the performer to have a realistic assessment of the risks and rewards of obtaining in front of the audience. These cognitive distortions can effectively paralyze the individual from sharing her or his skills with other people.

I don’t like being afraid of doing things, especially when that fear is hindering my dreams and ideas. I’m sure I’m not alone on this, so it is my goal to help others overcome their fears. Getting in front of an audience doesn’t have to be scary. To read more about how to overcome stage fright, go to http://www.squidoo.com/you-can-overcome-stage-fright. If you want to overcome stage fright permanently, increase confidence, and renew your self-esteem, then please go to http://www.overcomestagefright.info.

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5 Practical Ways to Overcoming Stage Fright

Dear bloggers & Face Book users: please help us grow our little music school by sharing and reblogging this post – thank you – S

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Overcoming stage fright takes time and some creative effort. But in my experience as a singer and singing teacher for over 25 years, I have observed that with the right approach, most of us can successfully control and/or dramatically reduce the negative feelings associated with stage fright.

In short, YOU can overcome stage fright!

A clinical psychologist at the Yeshiva University in New York. Shara Sand, (who is also a trombone player) says: “What primitively is going on is that there is a kind of exposure and vulnerability.”

She explains that even though we know that there is no great danger to us, still we experience the physical signs of imminent danger: our mouths get dry, our hearts pound furiously, our hands get sweaty and may even shake, our breathing patterns change, and of course, there is the constant desire to go to the bathroom.

1. Are You Really Ready?

Have you prepared yourself as well as you can?

Sometimes your feelings of stage fright are your body’s way of telling you that you are not yet ready to perform in public. Be sure that you have chosen something to sing that is within your present vocal abilities and that you have learned the piece(s) well. Poor preparation and too difficult a song will, with good reason, put you in a very vulnerable position.

2. Have You Tested the Shallower Waters?

Time, patience and practice help in overcoming stage fright.

So let us assume that you have prepared yourself well and you are singing music that is right for you. You had a chance to perform, and you were crushed by stage fright. You found yourself saying, “Never again!”

What now?

If you do not have the funds for or access to a course on overcoming stage fright and you are in a do-it-yourself mode, here is a fun next step:

First – find a very non-threatening situation in which to sing.

When I lived in the country (first, the mountains of Vermont and later, a lake-house in the Adirondack forest in New York state), I used to sing my newest or most difficult songs to animals.

I am not kidding!

I regularly sang to a large family of raccoons in Vermont, and to the resident woodchuck, porcupine and blackbirds in the Adirondacks.

This kind of prep-performance effort gives you a sense of humor about your performing self. You also see where your mistakes will happen in a very non-threatening, but critical situation. (“Critical” – because animals are a tough audience – they get bored – they yawn openly at your feebler attempts, and they walk away.)

In my case, the raccoons were the yawners. The blackbirds gathered in the trees and trilled harshly when my high notes were not very good. And so I learned to laugh at myself and do better.

(Warning! – Do not sing loudly to babies or dogs. It can hurt their ears. Babies will cry. Dogs will whimper.)

Next…move on to humans in your quest towards overcoming stage fright. Invite one or two people to your home stage who will not criticize you. They may be very young or very old. But their presence is needed only to allow you to practice dealing with your nervous energy.

Take the performance seriously.

For example – walk into the living room from the hallway as though you were walking onstage. Feel the nervous energy climb as you stand in front of your “audience.” Sing your songs with all your heart and with all your technical ability.

Afterward, do not ask for feedback. You are not singing in order to have others tell you how to be a better singer. This exercise is to get your body used to feeling and dealing with the high energy that is required to sing well.

When you have done this exercise several times, start to get more serious about why you are singing.

3. Do You Have Purpose for Your Performance?

What do I mean by purpose? Here is my purpose in singing: I choose to sing and/or write songs that have something to say that I strongly believe in and that I think could be of value to others. When I walk onstage, I need to know that what I am singing has this underlying purpose. Whatever nerves I feel, and after 30 years of performing, I do still feel a lot of nervous energy, I say to myself, “this ‘performance’ is more important than ‘me,’ so I will relax a little bit and give my audience my best.”

You also need to find your purpose for singing. It may be to share your personal world with others. It may be to bring joy to your audience. It may be to raise money for an event or to support a social/political cause.

Whatever you choose as your purpose, I promise you that having that in mind as you walk onstage (or into an audition) is going to take a lot of the sting out of your stage fright. You will have something besides yourself to think about as you prepare to perform.

4. Always Singing Better (Technical Development)

This one is very simple. As your vocal technique improves (for example, you can repeatedly sing the high notes during your practices and you can hold the long phrases when you rehearse), you will be increasingly less fearful about going onstage.

Find a good singing teacher to learn the finer points of singing if you feel that your voice is not improving on your own or with a taped guide. And practice consistently and well.

This is key to overcoming stage fright.

5. A Few Secrets

Finally, here are a few specific things you can do to have a less fearful performance:

o Make sure that on the day of your performance you can have long stretches of quiet time.
o Do some breathing exercises back stage. Look here for a good breathing exercise
o If you find yourself feeling frozen or paralysed backstage – do some jumping jacks (e.g. jump gently up and down on the spot) to help free some of the imploded energy.
o When possible, go to the place you will be performing the day before you must perform and stand on the stage. If you cannot go there, try to find a picture of the room, hall or stage online and visualize yourself in that place.
In a final piece of nutty but useful advice, repeat to yourself what Bill Murray’s crazy character said in the movie “Meatballs,” “It just doesn’t matter. It just doesn’t matter. It just doesn’t matter. It just doesn’t matter…” (One performance is a small thing in a big life.)

I wish you great singing!

 

For more information, please go here: http://www.singing-tips-with-barbara-lewis.com/overcoming-stage-fright.html

For an opportunity to see and listen to some of my music, please go here:

http://barbaralewis.com/Lullaby..deep.ly.html

I have been a singer, songwriter and vocal coach for over 25 years. I have produced and/or co-produced several of my own original-music CDs as well as two television-quality music videos which play regularly on Bravo TV and Classical Arts Showcase. I currently manage a teaching web site called, “Singing-Tips-With-Barbara-Lewis.com.”

 

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Laugh When it Hurts – Using Humor to Cope With the Downturn

Dear bloggers & Face Book users: please help us grow our little music school by sharing and reblogging this post – thank you – S

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The time it’s most important to be able to laugh is when things look worst. Economic downturns can get pretty bleak when you’re trying to stretch a fixed income or watching hard-earned dollars wither as investments. But this really is the time to remember how to laugh. Humor can be incredibly therapeutic.

Before we go any farther, there’s an important distinction to make as to the kind of humor I’m advocating here. The only person you should be laughing AT is yourself. At your foibles, your shortcomings, your predicament. It’s all fodder for jokes if you are the one making them.

However, laughing at other people isn’t therapeutic. It’s mean. Also juvenile and short on creative genius. All the great comedians know this, but you don’t have to do stand up to benefit from that insight. Laugh with other people. Laugh at yourself–even if you are looking at bankruptcy, foreclosure, or having to live with your impossibly messy younger brother because of this pesky economic downturn.

Why?

Because laughter really is good medicine. Norman Cousins was facing an incurable spine disease when he chose this strategy. Instead of staying in the hospital, he moved to a hotel and administered dose after dose of humor to himself every day in the form of classic movie comedies. He wrote about the experience in Anatomy of an Illness, reporting that if he laughed for three hours in the morning, he would be pain free the rest of the day. Laughter can be even more effective with emotional pain.

So find some ways to laugh. Martha Beck dedicates a whole chapter to laughter in The Joy Diet–and her writing is definitely laugh therapy. As one option, she suggests silliness. I am so pleased. I’ve been a personal fan of silliness my whole life, but it gets a really bad rap. Silliness in this culture is construed as flightiness, naiveté, and a lack of appreciation for the seriousness of the situation. What a waste of a good tool.

Silliness can do more to help you let go of intense emotions than anything else you can do upright. Silliness requires that you relinquish your problem, at least temporarily, to the ridiculousness of the moment. That’s why my brothers spent their time in the waiting room while Dad was having quadruple bypass surgery inventing a goofy card game with impossible rules. That’s why I cross my eyes when I can catch a friend’s attention in the middle of a long-winded presentation.

Silly is not just for kids. It’s your right and responsibility. Do something silly today and make the world a better place.

One way to be silly when times are tight is with games that make cutting back more fun. At one point when my then husband and I were coping with an economic gap, we started a contest to see who could use their paper lunch bag more times. Right, the idea is to be able to throw them away when you are done with your lunch. But how much fun is that? He won–I think he made it all the way to the fourth week, something like 21 consecutive lunches out of that same bag. Mine developed a terminal tear on Day 16. Dang.

There are benefits beyond the fun to this kind of silliness. Have you noticed that “going green” and saving money often involve the same behaviors? “Use it up. Wear it out. Recycle it.” is good for both the environment and the pocketbook. And if you can find fun ways to do it, it’s also good for your sense of well-being.

If you are willing to work on it, you can learn to laugh at nothing. Just “Ha ha has” for the therapeutic value it offers. There are clubs that meet to do this. Really. I haven’t progressed this far. Even when I try to just laugh, I end up thinking about something funny and laugh harder.

You’ll have your own style on this, for sure. But only if you put some effort into developing it. “Style” requires action. Refining and polishing your sense of humor is a great action step for a downturn. Beck advocates at least thirty laughs a day and recommends a hundred. (Did THAT make you laugh?)

When things look awful, find a way to laugh. It can change your mood in a heartbeat, costs only the energy it takes to do it, and has no negative side effects. Maybe we should make it our first treatment for everything–even before a band-aid.

Copyright (c) 2009 Mary Lloyd

 

Mary Lloyd is the author of Supercharged Retirement: Ditch the Rocking Chair, Trash the Remote, and Do What You Love, released April 2009. She offers seminars on how you can create a meaningful retirement for yourself and consults to help your business attract and use retired talent well. She is also available as a speaker. For more on how to use the downturn to improve your retirement and your life go to =>http://www.mining-silver.com

 

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